My work explores how human perception and emotional experience are shaped—and often disrupted—by life in a highly digital world. I work with interactive installations, video, painting, and mixed media to examine how technology quietly enters the body and rewires how we connect: to others, to
ourselves, and to something larger than us.
Rather than trying to tell stories, I build spaces that feel. Emotional landscapes, sensory tension, psychological weight—these are what interest me. In Psyche, I used shifting digital faces to explore fluid identity. No Hope, No Fear used virtual character sculptures and immersive interaction to
process emotional trauma. Digital Mate
looks at intimacy through a mechanical lens, questioning how feelings are flattened when mediated by machines.
Recent works like Loading Enlightenment, BLUE, and No Emergency focus more on stillness, numbness, and the quiet dissonance caused by information overload. I’m interested in what happens when feeling becomes too much—and we stop feeling at
all.
For me, art isn’t about explaining how the world works. It’s about offering a space to feel what the world is doing to us. Moving forward, I want to keep deepening that space—where digital materials don’t just deliver content, but hold presence, pause, and a different kind of emotional truth.
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